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This fourth and final volume of JACK KIRBY'S FOURTH WORLD OMNIBUS collects the remaining issues of the classic 1970s series THE NEW GODS, THE FOREVER PEOPLE and MISTER MIRACLE in chronological order as they originally appeared! As our heroes fight Darkseid's many minions while Darkseid himself continues his quest for the Anti-Life Equation, the series come to their end with the wedding of Mister Miracle and Big Barda. Also included in this volume are Kirby's sequel to THE NEW GODS and the graphic novel THE HUNGER DOGS, along with rarely seen Kirby art from DC's WHO'S WHO series, all from the mid-1980s.

• Sales Rank: #1063788 in Books
• Brand: DC Comics
• Published on: 2012-12-11
• Released on: 2012-12-11
• Original language: English
• Number of items: 1
• Dimensions: 10.18" h x .94" w x 6.63" l, 1.27 pounds
• Binding: Paperback
• 424 pages

Features

• Used Book in Good Condition

From Booklist
In 1972, just two years after luring Kirby away from competitor Marvel, DC pulled the plug on his magnum opus, the ambitious Fourth World saga, depicting a cosmic struggle between good and evil waged by the godlike inhabitants of the planets New Genesis and Apokolips. Fans immediately mourned the loss. Kirby’s dialogue was frequently overblown, and his characterizations blunt, but his conceptual imagination was never more unfettered, and his emotion-laden artwork never more viscerally powerful. More than a decade later, a new DC management team asked Kirby to conclude the truncated story line. Hampered by health problems and limited space, Kirby hastily, less-than-satisfactorily wrapped it up, thereby resolving, however imperfectly, the resolution of what is now seen as one of comics’ most ambitious projects, the concepts and characters of which populate the DC universe to this day. The fourth and final volume collecting the whole thing includes that too-little, too-late conclusion, though restored to rectify editorial tampering, as well as the last few issues of the comic’s original run. --Gordon Flagg

About the Author
Jack "King" Kirby's comics career began in 1937 and continued for nearly six decades. �With partner Joe Simon, Kirby first made his mark in comics in the 1940s by drawing and/or creating numerous features for DC Comics including Captain America, the Young Allies, the Kid Commandos, Sandman, the Newsboy Legion and Manhunter. �As the most valued team in comics, Simon and Kirby went on to create titles and concepts including Fighting American, Boys' Ranch and the creation of the romance comics genre. �In 1961, the first issue of Marvel's Fantastic Four cemented Kirby's reputation as comics' preeminent creator, and a slew of famous titles followed that elevated him to legendary status, including Incredible Hulk, Avengers and X-Men. �Kirby returned to DC in 1971 with his classic "Fourth World Trilogy," which was followed by The Demon, Omac and Kamandi. �Kirby continued working and innovating in comics until his death in 1994.

Most helpful customer reviews

34 of 34 people found the following review helpful.
The end of the Fourth World as we know it.
By Sean Curley
And then, as Mark Evanier relates in his Afterword, the "Fourth World" project came to an abrupt halt.

This volume, the fourth and final colletion of Jack Kirby's most famous DC project, allows us to observe the final moments of the original run of titles, and the somewhat haphazard resolution that was tacked on by Kirby years later, when DC gave him another shot at his famous property. As anyone who ever talks about Kirby will stress, he was endlessly creative, and the "Fourth World" is often considered his most personal work in the comics medium.

The previous three volumes of this series followed a basic pattern: one issue of "Jimmy Olsen", followed by an issue of "New Gods", then an issue of "Forever People", and an issue of "Mister Miracle", repeated three times over. However, here we get a different and in some ways more wholistic collection of stories. Kirby's final issues of "Jimmy Olsen" were included in the third volume, so he is absent here, which I would consider a plus, all things considered, since they tended to be the weakest segments. We get the eleventh and final issues of both "New Gods" and "Forever People", each of which attempts to wrap up their characters' stories as best they can in limited space; in "New Gods", Orion, acknowledging his status as Darkseid's biological son (revealed in the third volume), faces off in mortal combat with his adoptive brother Kalibak the Cruel; the Forever People, meanwhile, who have been young soldiers in the war between Darkseid and Highfather, end up, in a sort of bizarre happy ending, trapped forever in the Infinity Man's idyllic universe, and walk off into the sunset to explore their new home, far away from the war of gods.

The bulk of the collection, though, consists of issues of "Mister Miracle", which lasted a full seven issues more than the others did. After Mister Miracle and Big Barda escape from Apokolips, where they adventured for most of the previous volume, they return to Earth, accompanied by Barda's former team of Female Furies (Lashina, Mad Harriet, Stompa, Bernadeth). They rejoin Oberon and meet a new promoter, Ted Brown, the son of the original Mister Miracle, resuming their attempt to live away from the god war and become famous performers. Along the way, of course, they inevitably run afoul of villains such as Madame Evil Eyes, a murderous British colonel who seems a parody of Shaw's "Pygmalion", and the memorably-named Nazi war criminal Von Killowitz (Kirby was creative, not subtle). Mister Miracle even takes on an apprentice, a black youth named Shilo Norman.

For most of these issues, Kirby avoids the wider Fourth World mythology in favour of superhero exploits (which Evanier says was a strategy to try and save the book). The series ends, though, as fans of the characters' later DCU appearances would expect, with Mister Miracle and Big Barda's wedding, an event that every major Apokolips villain tries to crash (actually, they prompt the wedding, as much as anything), with guest appearances by Orion, Lightray, and Highfather, before the New God heroes leave their mortal companions and return home (the other Furies seemingly go back to Darkseid's service, given where we see them next in the "Even Gods Must Die!" special).

Finally, there is the aforementioned special and the graphic novel "Hunger Dogs!", which marks the end of Kirby's contribution to the mythology (although future DCU series would ignore it, and many other aspects of Kirby's original series, in order to make fuller use of his original concepts before he started to wrap them up). It is not a wholly satifactory ending, though it is interesting to see Kirby incorporate ideas about the increased mechanization of society (which even the arch-villain Darkseid finds unsettling and deletrious) and the atomic weapons race. "Hunger Dogs!" does not conclude the prophecy of Darkseid and Orion's destiny, but it provides a bit of closure, while simultaneously leaving the future of the New Gods wide open.

If you have read the previous three volumes (and you should, if you mean to understand the Fourth World properly) then you know what to expect from the King: wild imagination in art and story, somewhat dated, but well worth your time if you enjoy older comics.

8 of 9 people found the following review helpful.
A work of genius, compromised.
By Zothique
It's great that, at long last, we have all of Kirby's "FOURTH WORLD" saga in print, in hardcovers and in color -- even if I don't necessarily agree with the formatting choices.

It's interesting to have the issues laid out sequentially in the order they were originally released, even though at times that only draws attention to the radically different tones and purposes of the various titles. The epic fury of THE NEW GODS saga doesn't benefit from being forced to sit cheek-and-jowl by the goofy and sometimes slapdash JIMMY OLSEN stories. DC's previous B&W collections weren't ideal, but at least they unified each individual series by title, so THE NEW GODS saga was left to follow its own internal logic, distinct from the very different tones of THE FOREVER PEOPLE and MISTER MIRACLE.

But the formatting choices become even MORE problematic in this final volume -- particularly in the presentation of THE HUNGER DOGS.

As Kirby's former assistant and current biographer Mark Evanier notes, DC was under pressure to present Kirby's "original" version of THE HUNGER DOGS -- a tricky proposal, because, to Evanier's mind, the finalized graphic novel WAS Kirby's "director's cut." Kirby had created an earlier, one-issue version of the story that DC found choppy and confusing -- and Kirby apparently concurred; he felt cramped by the size constraints, and was more than happy to expand the work into the then-new "graphic novel" format.

However, Mike Royer's original inks were still available for the shorter version -- the graphic novel was finished by Greg Theakston, who tweaked Royer's inks and resized the pages to fit the different dimensions of the GN format. And here's where DC's editors went horribly awry in presenting the material in THE FOURTH WORLD OMNIBUS: they've restored Royer's original pages WITHIN the context of the expanded HUNGER DOGS GN -- creating an utter mess. Alternate pages change radically in size and inking style, making for a jarring reading experience -- especially for anyone who's never read this much (and unfairly) maligned work before.

Even more baffling, DC then follows the color HUNGER DOGS GN pages with a section of the black-and-white Royer inks for the original one-issue version -- but the pages are printed at postage-stamp size, with as many as nine pages of comics crammed onto one page of the book. This is doubly exasperating since the book wastes multiple pages on design-driven interludes of blown-up panels that don't really add to reading experience. I would much rather have had a READABLE version of the original one-issue HUNGER DOGS in lieu of these wasted pages, or the pedestrian bonus "Who's Who" bios on the 4th World characters.

The end result? If you really want to experience the HUNGER DOGS in all its glory, you need to track down one of the rare original copies; and if you're curious about reading the original one-issue version with the Royer inks, you'd better go get a magnifying glass. This book manages to offer the worst of both possible worlds.

When the 4th World Omnibus was coming out, I sold my copy of the original HUNGER DOGS GN, thinking I didn't "need" it anymore. I've recently bought another copy because the version in Volume 4 is so unsatisfactory.

For Kirby fans, unfortunately, 4WO Vol. 4 is a must-have item -- you've gotta complete your 4th World Omnibus set, after all, which is mostly sensational. The bummer is that this particular volume is mostly not-great material. Sure, it has the absolutely essential 11th issues of FOREVER PEOPLE and NEW GODS, but it mainly consists of a bunch of MISTER MIRACLE issues way past the series prime, when it was distancing itself from the 4th World mythos... along with the HUNGER DOGS prelude "Armagetto," which is nearly ruined by D. Bruce Berry's inexcusably awful inks. (Sure, Kirby's pencils weren't exactly at their prime in this period, but Berry invariably manages to make them look crude, childish and ugly.) And unfortunately what should be the crown jewel of the volume is instead a messy and fairly crappy job of re-presenting THE HUNGER DOGS. Hopefully, DC will choose to present a more coherent version of the GN in future editions.

5 of 5 people found the following review helpful.
Fantastic End to Kirby's Epic!
By Picardfan007
This special edition contains Kirby's final graphic novel called, "The Hunger Dogs". It even has original pencil pages of the art! If you are a fan of Kirby, this is the conclusion of one of his best works. The hard cover edition was way over priced. This paper back edition provides fans with an economic alternative to collect this series. It's hard to believe that DC declared this series a "failure". Over the course of many years; Dark Side and The New Gods have been used endlessly in DC animated films and comics. If you can't afford to collect any of the other Kirby sagas, this is the one to buy! This one has it all!

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[Z572.Ebook] Download PDF Myth and Philosophy in Plato's Phaedrus, by Dr Daniel S. Werner

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Plato's dialogues frequently criticize traditional Greek myth, yet Plato also integrates myth with his writing. Daniel S. Werner confronts this paradox through an in-depth analysis of the Phaedrus, Plato's most mythical dialogue. Werner argues that the myths of the Phaedrus serve several complex functions: they bring nonphilosophers into the philosophical life; they offer a starting point for philosophical inquiry; they unify the dialogue as a literary and dramatic whole; they draw attention to the limits of language and the limits of knowledge; and they allow Plato to co-opt cultural authority as a way of defining and legitimating the practice of philosophy. Platonic myth, as a species of traditional tale, is thus both distinct from philosophical dialectic and similar to it. Ultimately, the most powerful effect of Platonic myth is the way in which it leads readers to participate in Plato's dialogues and to engage in a process of self-examination.

• Sales Rank: #822494 in Books
• Published on: 2014-03-06
• Released on: 2014-03-06
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .71" w x 5.98" l, 1.01 pounds
• Binding: Paperback
• 310 pages

Review
"This book sets out to tackle some of the most vexing questions pertaining to one of the most challenging and perplexing of Plato's dialogues, the Phaedrus ... the discussion is always fresh, clear, helpful, sophisticated, and detailed. As well as appealing to experts, it succeeds in orientating the newcomer quickly with many key debates and controversies surrounding the Phaedrus... any scholar seeking to maintain an alternative view on Plato's myths in the Phaedrus will need to address the very strong challenge posed by this book. The book's greatest value lies in the penetrating close analysis of the text itself: there are some real highlights and Werner's readings will be of much help not only to students of the Phaedrus, but to all scholars interested in Plato's literary and philosophical practice."
Philosophy in Review

"... a well-written, meticulous, and insightful examination ... The command of the secondary literature is obvious, and readers will be repeatedly impressed with Werner's ability to call up particular passages from disparate works of scholarship and situate himself in relation to them. Werner is also excellent at pursuing the details and meaning of the references that Plato puts into his myths ... an important contribution to the study of this dialogue and to Plato's use of myth generally. Future scholarship will need to take this stimulating study into account."
Journal of the History of Philosophy

"This is a valuable new work that uses a relatively narrow focus to broaden our general perspectives on the Phaedrus in particular, and on Plato's use of myth and thought about philosophical discourse in general. Werner has not (and does not claim to have) wrestled Proteus into submission. It would be a shame if he had. He has, however, opened up a very promising new angle of approach."
Bryn Mawr Classical Review

About the Author
Daniel S. Werner is Assistant Professor of Philosophy at the State University of New York, New Paltz. His articles have appeared in Oxford Studies in Ancient Philosophy, Greece and Rome, Ancient Philosophy and International Philosophical Quarterly.

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Where are the next decade's greatest investment opportunities? In today's undiscovered emerging markets: the frontier markets.�These markets account for 71 of the world's 75 fastest-growing economies and 19% of the world's GDP--yet many investors largely ignore them. Fueled by access to technology and information, frontier markets are emerging even faster than their predecessors, making them an essential component of a globally diversified portfolio.�

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Frontier Investor�opens up a whole new world, and world view, to the broad investing public.����

• Sales Rank: #874806 in Books
• Published on: 2016-10-25
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.25" w x .75" l, .0 pounds
• Binding: Hardcover
• 272 pages

Review

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About the Author

Marko Dimitrijević is one of the world's foremost emerging markets experts, with over 35 years of professional investing experience. A pioneer in conducting on-the-ground due diligence, Mr. Dimitrijević, CFA has traveled to more than 100 countries. He has invested in over 120 emerging or frontier markets, and was one of the earliest Western investors in China, Russia, Indonesia, Bangladesh, and Saudi Arabia. Currently chairman of investment group Volta Global, from 1995 to 2015 he managed one of the world's best performing emerging markets funds. He has won numerous awards including "Top 25 Mid-Size Hedge Funds" by Bloomberg in 2014, "Top 100 Hedge Funds" by Barron's in 2011, "Top 10 EM Hedge Funds" by Bloomberg in 2010, and "Global Macro Fund of the Year" by Absolute Return magazine in 2007.
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He has been featured in the world's most respected financial and business publications including Barron's, Bloomberg, The Economist, Financial Times, Forbes, Institutional Investor, Reuters, Time, Wall Street Journal, Washington Post, and Worth, and he is featured in the books�Inside the House of Money�and�Investing with the Hedge Fund Giants.
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Mr. Dimitrijević holds an MBA degree from the Stanford Graduate School of Business, where he was an Arjay Miller Scholar. He is a graduate of the University of Lausanne, Switzerland and holds the Chartered Financial Analyst designation. He and his family live in Miami, Florida.
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Timothy Mistele, CFA has more than 30 years' experience in investor relations, marketing, portfolio management, and financial analysis at several leading global financial firms, including 19 years working with Marko Dimitrijević. He earned an MBA degree from Stanford and a bachelor's degree in economics, summa cum laude and Phi Beta Kappa, from Princeton. Mr. Mistele holds the Chartered Financial Analyst designation. He and his family live in Miami, Florida.

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2 of 2 people found the following review helpful.
A must read for any modern investor
By D. Rippock
A great playbook for participating in the growth markets of the future, and a thoroughly enjoyable read throughout.

Aside from actually spending time on the ground in these frontier markets yourself, the only way to truly appreciate their potential and the massive changes taking place there are through the eyes and experience of someone who has. This book details those journeys and experiences with a rare combination of insight and tangible examples to give the reader a unique perspective into why these markets are important for every investor and follower of financial markets to pay attention to for decades to come.

Highly recommend this book.

2 of 2 people found the following review helpful.
Hard facts for new markets
By Amy Niermeyer
I have heard of all the investors making money on all these new foreign markets (like China or Vietnam or else where in Asia). While I’ve been interested I never knew how to approach it. I read some of the Jim Rogers books and they were ok (fun travel stories).

I think I liked this even more; it gave me some really good hard facts to show how new markets can out perform the US/Europe markets I’m familiar with. And I found his case studies really made it easier to follow.

1 of 1 people found the following review helpful.
Serious topic AND fun to read
By Cindy D.
Every time I hear about (or see the country name on a product label) some new hot country I wonder how I could invest in these new markets. This book makes me feel pretty confidant that others (including me) can indeed share in the growth of some of these new countries.

I found this book very easy to pay attention to and understand. I never got bored (which happens often in investing books). The content is serious but is presented more in the form of stories and vignettes and examples. This kept my attention and I learned a lot.

I would love to visit some of these "frontier markets"; not as a leisure tourist but following the author's approach to get on the ground and see what is going on.

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[B917.Ebook] Free Ebook Pile Design and Construction Practice, Fifth Edition, by John Woodward (Author) Michael Tomlinson (Author)

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• Sales Rank: #5521092 in Books
• Published on: 2007
• Binding: Paperback
• 568 pages

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Kingdoms collide in Sarah J. Maas' epic fifth installment in the New York Times best-selling Throne of Glass series.

The long path to the throne has only just begun for Aelin Galathynius. Loyalties have been broken and bought, friends have been lost and gained, and those who possess magic find themselves at odds with those don't.

As the kingdoms of Erilea fracture around her, enemies must become allies if Aelin is to keep those she loves from falling to the dark forces poised to claim her world. With war looming on all horizons, the only chance for salvation lies in a desperate quest that may mark the end of everything Aelin holds dear.

Aelin's journey from assassin to queen has entranced millions across the globe, and this fifth installment will leave fans breathless. Will Aelin succeed in keeping her world from splintering, or will it all come crashing down?

• Sales Rank: #1082 in Audible
• Published on: 2016-09-06
• Released on: 2016-09-06
• Format: Unabridged
• Original language: English
• Running time: 1523 minutes

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93 of 97 people found the following review helpful.
4.5 stars overall
By A Page With A View
NO MAJOR SPOILERS!
This series means SO much to me, but that doesn't mean I'm going to treat it any differently than other books I review honestly. I really didn't think I would give this more than 4 stars until the end totally changed everyyyyyything.

First off, I would absolutely recommend reading The Assassin's Blade before this book if you haven't already! Most characters and locations from those novellas appear here.

The story starts out with Aelin and her court heading north to Terrasen where they meet with a few potential supporters at an inn before trying to waltz into Orynth. Aelin is told that the Lords of Terrasen don't recognize her as queen and it’s all very infuriating. She swears that "no matter how far I go, no matter the cost, when you call for my aid, I will come. I'm going to call in old debts and promises. To raise an army of assassins and thieves and exiles and commoners.” Because war/annihilation is coming and Erawan is not messing around.

So it's kind of like the breaking of the Fellowship in Lord of the Rings with how characters gets scattered around on various missions and eventually come back together. And speaking of LOTR... you know how while everyone freaking walked across Middle Earth the story kind of meandered yet wasn't necessarily boring because the locations sounded pretty, little bits of action popped up here and there, and the characters were so wonderful that you'd be fine reading about them watching paint dry? The middle of this book reminded me of that.

A surprising portion of this story is carried by the POVs of other characters instead of Aelin. That decision makes total sense in the end, but I was initially wondering why I wasn't connecting with her as much as I had in previous books. She spends most of the story making her own secret plans behind the scenes while everyone calls her out on not clueing them in until the continual big reveals. Seeing her through other characters often made her seem a bit distant, callous, not focused on the bigger picture, and pretty much back to her Celaena persona. But by the end it all makes sense and she was still the incredibly brave, determined, selfless, AMAZING character I love. She gets even more complex and mature in this story and her whole journey is perfect.

So that decision to make the development of so many crucial plot points happen off-screen (off-page??) made the reveal at the end more emotional, but also made me kind of frustrated in the middle with how I couldn't get a strong sense of where on earth Aelin’s head was or where the plot was even going. And because we didn't get such a strong look into Aelin's mind, her relationship with Rowan didn't have much emotional impact for me. I love them both as individual characters and do care about them together, but I'm just not as invested as I wanted to be. So I did enjoy this book overall, but wasn’t super emotionally attached like I was in Heir or Fire or flipping through the pages in a panic like I was in Queen of Shadows.

BUT THE CHARACTERS ARE SO AMAZING. All of them. They’ve all grown so much since the first book!!! I said in my reviews of previous books that I wanted to see more of Manon, Aedion, and Elide and I was not let down. The amount of character deveopment that secondary characters get here is AMAZING. So, so, so wonderful. If you thought my love for Manon was intense before, get ready for a whole new level. Her scenes had some of the best action and emotions in the entire book and I was fangirling so much.

Even though my biggest ship sadly did not sail in this book, I still loved where the those characters went. It was just fun to see how everything wove together. And I liked Elide in Queen of Shadows, but can we talk about how she becomes the most amazing & tough character ever here?!! She is SO cool and totally surprised me. Her POV and everything that happened in it was the most unexpected part of the book (and also maybe the best).

This book felt a lot like a chess board… it strengthens every player and moves them into the right position before the final battle of the next book. So it might not be the most gripping story as a whole, but it did an amazing job of building an impressive lineup of characters. Like I NEVER expected to care this much about Lorcan?! I loved how the most unexpected characters paired up for different missions or whatever and how everyone’s different stories wove together at the end! And Maeve just got bumped up past Umbridge level of loathing.

I just love Manon, Elide, Aedion, Lysandra, Dorian… oh my goodness HOW HAVE I NOT TALKED ABOUT DORIAN YET. It made me so happy every time he was referred to as “king” and I love how he’s getting more complex after everything he’s been through. He’s still so adorable. It did irritate me a bit how he’s also an equal king, but Aelin was running the show and kind of ignoring her friend. BUT there was a lot to cover here so I just hope he’s utilized more in the next book.

But seriously, the sheer scope of the worldbuilding in this series is phenomenal. I really can’t think of many other worlds I love this much… I mean, there are demon kings, Fae, witches & wyverns, pirate lords, princes, kingdoms & castles, magic, spirits with cryptic advice, swords & battles, ancient prophecies, politics, well-developed history & religion, multiple complex villains, and it spans all of these continents and cultures. THIS IS EVERYTHING I LOVE.

Now I know that a ton of people were losing their minds over the sex scenes in this book before it was even released, so let me just take a minute to weigh in on that. The main thing I heard about this book was that it was graphic and unnecessary. I’m pretty sure the people calling it graphic didn’t read ACOMAF. (See my review of ACOMAF in response to adults who say it's not for teens). The scenes in this book were tamer and felt like Maas tried to be descriptive, yet still vague with a younger audience in mind? So it mostly ended up being rather awkward… which brings me to the unnecessary point. I’m not against these scenes, but also didn’t really need them in the end. I was either laughing at parts or rolling my eyes at how pretty much everyone turned into a hormonal teenager. It just didn’t fit the tone and honestly felt forced into the story in several places? I defended ACOMAF because the plot built up to those scenes and it meant something in the story, buuuuut I’m really not feeling that here. I honestly would have liked to see the page time used elsewhere…

There are a lot of things I wanted to see happen that didn’t, but I was equally thrilled with where the story ended up going in the end. I think a lot of fans need to acknowledge that even though we’re super wrapped up in this world, it’s not our story to direct. If you need it to go in an alternate direction, maybe go read some fanfiction.

And I adore Chaol, but honestly think cutting him out of this particular book was a really smart move. Based on where his mindset was in Queen of Shadows, he needs time to grapple with who he is and what he wants to do. The tone of his POV would’ve been seriously disconnected from the rest of this story both mentally and distance-wise (like he’s in an entirely different part of the world and wouldn’t have worked into the larger plot). I think it’s enough for the sake of pacing to know what he’s doing without actually having to see it. He’s still awesome and he’ll be back…

Also, I don’t know why Maas said fans would hate her after this book because that ending was AMAZING. (Not amazing in that I particularly enjoy what’s happening, but amazing in that this takes the story to a whole new level of intense. I don’t know if I’d go back and reread this whole story like I usually want to do right after I finish a ToG book, but I’m totally going back to that last 15%.

So even though I connected more with other books in the series, I’d still give it 4.5 stars overall for all of the strong characters and how brilliantly it set up everything. It's possible I was a bit tired or just had too many expectations while reading because the longer that I spend typing this, the more I love the book. There were SO many amazing scenes. And the ending was emotional, but I’m not the wreck I expected to be because I’m mostly too excited at how awesome the next book could be now!

41 of 43 people found the following review helpful.
what they look like, what they sound like
By David Maldonado
I want you to stop for a moment and think about all the characters within the Throne of Glass series, how you perceived them, what they look like, what they sound like, and the decisions they are known to make. Now, throw all of what you know into a blender. Close the lid. Press down on the go button and turn the nozzle all the way up to its highest level. What you are left with is a nourishing and new delightful new dish that our minds weren't ready for. Sarah J Maas turns everything upside down in Empire of Storms, her 5th installment in the series, which has us all scrambling for more immediately.

Maas brilliantly makes each of her characters into something they weren't before. They all develop organically into new people, but these new developments make perfect sense. For example, Aelin begins the book heading North of Terrasen in order to help build herself an army. She finds that the people are not so inclined to back her up, considering she's been gone for over 10 years, but was actually always present with her sworn enemy, the late King of Adarlan, playing as his puppet assassin as Cealena Sardothien. Many don't take too kindly to her history, and many of those that she encounters find more reasons to not back her up, than to do so.

Based on the Aelin we've grown to know, we would think she would blow up into a vengeful tirade, spewing her new found power of fire, stopping close but short of a tyrant. However, that Aelin is not there. She's become ever more calculating, less hot-headed, and deathly more focused on saving her people and land. She not only fights two wars against both the Dark King Erawan and her Aunt Meave, Queen of the Fae, she does more than crosses blades in these wars. She uses her mind as well as her muscle in order to produce an end result she wants. From page one until the very end result, Aelin orchestrated EVERYTHING. It's that type of sleight of hand intellectual reflex that has me blown away with her character growth.

Prince Rowan, once sworn to Queen Mauve, now sworn to Aelin, serves his Queen in every way possible. When we first met him in Heir of Fire he was disassocitive, broody, and not the most likeable character. Aelin has helped to transform him into something more vulnerable, to the point where he will freely show some PDA with Aelin in front of others. While some of his old cadre (old Fae friends/associates sworn to Mauve) would see this as a weakness, this is in fact far from the truth. Prince Rowan will stop at nothing to protect Aelin, even if it means protecting her from herself. He's still a fierce fighter, but now, he has a worthy cause to fight for---a future with his Queen.

Aedion goes through some pretty hefty transformations that mainly deal with things that come out from the plot itself. I won't discuss everything, but Aedion grows to accept who his parents are and what that means. He's every bit as fierce as Aelin can be, and he becomes one of her most loyal soldiers. He also finds a budding romance with a shapeshifter by name of Lysandra. Their relationship was very sensitive, on account of Lysandra's history. She has been defiled by many men, and Aedion is very cautious with her at first, as he should be. Lysandra was a very refreshing character to read about. Her ability to transform into almost anything was pretty epic. Lysandra's fight sequences were some of the best of the series, and she reminded me of a mini Aelin. She's also completely devoted to Aelin, almost to a fault. It's a magical experience to see such a fierce and brutal character, rife with molestation, loss of power, and a dehumanizing childhood, turn into a character that is able to finally allow love to blossom.

King Dorian has the biggest transformation in the entire series. A fair warning to those about to read Empire of Storms, this will not be the same character you grew to love. His innocence is gone. His power is his own. The killing of his father by his own hand, seeing the love of his life Sorscha murdered because of his father, and the months of being held hostage inside his body by a Valg Prince has changed Dorian forever. He is darker, less talkative, and more of a man of action. He has become sadistic and this leads him to a very surprising romance (although I approve) with Manon of Blackbeak. He's become as cold as the ice he wields, and he has now become a force to be reckoned with along side Aelin. He is after all, the King of Andarlan. King Dorian begins to realize the position he is now in, and you see him push his weight around when you least expect it. However, he's very quiet during heightened situations, especially when it comes to plotting along side the other characters. You knew when he decided to speak, his words would change the dynamic. I'm not sure if I personally love his more sadistic side, what I do love is that he recognizes his power. I look forward to seeing how he'll wield it in the future.

Lorcan, another Fae male that's apart of the cadre. Also, the same person who Aelin and Rowan tricked at the end of Queen of Shadows into thinking he took one of the wyrdkeys from them for his Queen. He's known as the Fae male who trained Rowan into what he is now. He's a character filled with vengeful hate, and it becomes amplified 100 fold when he realizes that he was tricked. However, a long his journey he meets Elide who is also on the run. Manon helped her escape her uncle and the tower she was held captive in, and now Lorcan and Elide travel together. To be brief, Elide melts away the ice around his heart, and helps to provide him with a worthier reason to fight. Their romance was the one that had me the most excited, because it really did feel like it was straight out of Beauty and the Beast.

Manon of Blackbeak has the most intense storyline out of them all. I fell in love with her since she was first introduce, and this new installment has just solidified that. Monon, still ever fierce, but we see some major things happen to her. I don't want to give anything away, however I will say that Manon has always known that something wasn't "right" with how her people were living. Some secrets are revealed, some major ties are cut, and we find Manon no longer in a position of power. Until...that is...when she crosses paths with Aelin again.

They're plenty of other characters I can discuss but these are the ones that had the most affect on me. Empire of Storms exceeded my expectations with every aspect of the book. It had the perfect dialogue, right amount of plot twists, and pages upon pages of cinematic fights. The ending will leave you in pieces, as I'm still trying to find all of the pieces of myself. Consider this book a rollercoaster, which has a long death drop and it keeps on dropping even as you turn to the last page. I still haven't reach the bottom yet. And yet, I know I won't until the next book comes out. Sarah J Maas has just written the best in her series, possibly even the best book of her career. Do check it out!

Happy Reading!

70 of 74 people found the following review helpful.
WOW!
By Booklover
Wow. Just wow. That's all I can really say. Like many fans, I waited the whole year for this book to come out and I was not disappointed. Aelin is really starting to come into her own power, abilities, and strategies. But I have to say, the thing I loved the most about this book was the relationships. Maas has really given everyone someone in this book - practically no one is left out of a little love - though, there are a couple relationships that are left with some serious unresolved issues that I am sure will be handled in the next book. Also, no spoilers here, but Maas better find a different way to end this series than the way it hinted at the end of the book with the final reveal. We don't need more main characters becoming martyrs and leaving their true loves high and dry. Nope. I am all about that happily ever after. So it would be great if Maas figures out a way to make that happen, asap.

Things you should know about this book:
1) Contains a cliffhanger, or two, or three - lets just say practically everyone is left hanging off a cliff in this book
2) Contains sex - though I thought it was tastefully done and overdue
3) Contains a whole bunch of Aelin not telling anyone anything until the last moment - that girl needs to work on her communication skills
4) Shows the point of view from: Aelin, Rowan, Aedion, Lysandra, Elide, Lorcan, Manon, and Dorian

Overall, I really enjoyed this book. I think it may be one of the best ones yet in the series, although I'm sure the final book will blow our minds out of the water. Happy reading!!!

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