Senin, 22 Oktober 2012

[A627.Ebook] Ebook The Bell Jar (Modern Classics), by Sylvia Plath

Ebook The Bell Jar (Modern Classics), by Sylvia Plath

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The Bell Jar (Modern Classics), by Sylvia Plath

The Bell Jar (Modern Classics), by Sylvia Plath



The Bell Jar (Modern Classics), by Sylvia Plath

Ebook The Bell Jar (Modern Classics), by Sylvia Plath

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The Bell Jar (Modern Classics), by Sylvia Plath

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under -- maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

  • Sales Rank: #998 in Books
  • Brand: Plath, Sylvia
  • Published on: 2005-08-02
  • Released on: 2005-08-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .65" w x 5.31" l,
  • Binding: Paperback
  • 288 pages
Features
  • Harper Perennial

Amazon.com Review
Plath was an excellent poet but is known to many for this largely autobiographical novel. The Bell Jar tells the story of a gifted young woman's mental breakdown beginning during a summer internship as a junior editor at a magazine in New York City in the early 1950s. The real Plath committed suicide in 1963 and left behind this scathingly sad, honest and perfectly-written book, which remains one of the best-told tales of a woman's descent into insanity.

Review
"Esther Greenwood's account of her years in the bell jar is as clear and readable as it is witty and disturbing....[This] is not a potboiler, nor a series of ungrateful caricatures: it is literature." -- New York Times

"The first-person narrative fixes us there, in the doctor's office, in the asylum, in the madness, with no reassuring vacations when we can keep company with the sane and listen to their lectures." -- Book World

"The narrator simply describes herself as feeling very still and very empty, the way the eye of a tornado must feel. The in-between moment is just what Miss Plath's poetry does catch brilliantly--the moment poised on the edge of chaos." -- Christian Science Monitor

From the Publisher
A vulnerable young girl wins a dream assignment on a big-time New York fashion magazine and finds herself plunged into a nightmare. An autobiographical account of Sylvia Plath's own mental breakdown and suicide attempt, The Bell Jar is more than a confessional novel, it is a comic but painful statement of what happens to a woman's aspirations in a society that refuses to take them seriously... a society that expects electroshock to cure the despair of a sensitive, questioning young artist whose search for identity becomes a terrifying descent toward madness.

"A fine novel, as bitter and remorseless as her last poems -- the kind of book Salinger's Fanny might have written about herself ten years later, if she had spent those ten years in Hell." -- Robert Scholes, The New York Times Book Review.

"By turns funny, harrowing, crude, ardent and artless. Its most notable quality is an astonishing immediacy, like a series of snapshots taken at high noon." -- Time.

"A special poignance... a special force, a humbling power, because it shows the vulnerability of people of hope and good will." -- Newsweek.

Most helpful customer reviews

22 of 22 people found the following review helpful.
A great talent lost.
By Annie
Every now and again a book comes along that truly impacts on one and once read will never be forgotten.
The autobiographical novel by Sylvia Plath, describing her painful ordeal when she becomes mentally ill is such a book.
This could have been a thoroughly depressing and self centred story in the hands of another and many may assume this when reading the blurb.
However do not be put off, because The Bell Jar is anything BUT depressing.
Plath writes with great humour and I laughed out loud more than once.
She also writes with the intelligence and skill of someone twice her age.
Her battle with mental illness (Bipolar Disorder) and her eventual recovery is written so honestly, so brilliantly I was more than impressed.
Of course there is sadness in the aftermath of the book because we know she actually took her own life at aged thirty, the same year The Bell Jar was published.
The world is a little worse off with the loss of this wonderful talent.
Anyone who has any inkling of how The Black Dog can grab you by the scruff of the neck from out of the blue will appreciate this book and anyone who simply enjoys outstanding literature will be equally impressed.
A great talent.

3 of 3 people found the following review helpful.
It already feels like it’s been a part of me for a decade
By Emily
This book completely surrounded me, and I can’t believe I haven’t read it before this year. It already feels like it’s been a part of me for a decade. Yes, it’s depressing, but it’s so real. I felt everything in a very melancholy, all-consuming way. And it was wonderful. I found lines from the book floating into my mind as they related to my life. This novel sat on my heart for a very long time.

I'm amazed at how contemporary it felt. She talks about scenarios that still play out today (Post-grad blues, sex taboo, etc.) I think it mainly felt contemporary because she is so blunt and honest. And so poetic. What an amazing read.

0 of 0 people found the following review helpful.
Slow to begin, but a beautifully honest and compelling work
By goodkarma8390
I'd been wanting to read The Bell Jar for some time, and finally got a chance this year. Upon reading through the first few chapters, I found the narrative style and attitude of Esther Greenwood to be highly reminiscent of Holden Caulfield in The Catcher in the Rye. If you loved that book, you'll probably love this one, too. However, as an adult who's grown past her Holden Caulfield days, I found it to be disappointing. The primary source of hope that kept me reading was that Esther has bright moments of insightful and intriguing thought, wit, as well as feminist thought and beliefs, each of which were really refreshing. On more than one occasion her musings led to deep conversations between myself and those around me. Though we may not all be slipping into depression and mania, there are undeniably pieces of truth and experience in what she says that many can relate to or recognize in themselves.
The novel gets far more interesting beginning around chapter 10 when Esther's mental illness begins to show itself much more drastically, and continues to spiral from there. The novel is largely autobiographical, and Plath's detailed descriptions of her experiences with mental illness are intriguing to say the least. Those interested in psychology could nearly use this novel as a case study. Much of the contents here overlap with known and recorded details of Plath's life, and if the reader is aware of these details, they will most certainly feel for Esther all the more strongly.
Plath's writing is solid poetic prose as one might expect, and the reading is quick. Most appreciated of all, however, was the honesty this book seems to convey; the willingness to bear all for the world to see, in all it's ugliness, insecurity, and even hope.
From a teacher perspective, I was worried this book would be difficult for my students because it is slow to begin and often dark. If you are teaching this novel, I highly recommend a focus on resilience, on seeking help, and on teaching about mental illness. I also highly recommend reading some of the more graphic chapters with students so they can be discussed. There are multiple detailed descriptions of suicide attempts. My students, however, are actually enjoying this book most of each of the books we've read this year. They like the honesty of it, and the graphic aspects and details (though we have not yet reached the notably darker mid-portions yet). They like Esther's sense of humor and her descriptions of things (especially the more adult content). Though my initial impressions of the novel were not wholly positive, I have been swayed both by the second half and my student's reactions to it. I do recommend teaching it, as there is much that can be talked about, but stick to an older age group (Juniors or Seniors. MAYBE mature Sophomores) and provide sufficient open discussion and support.

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